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The REVX 'Hall' reverb in the AE031 Reverb package (above), as seen in version 2 of Studio Manager, and (right) the detailed mixer channel view from the same application. Not content with offering some of the most fully featured digital mixers in the world, Yamaha have now upgraded them, and are offering extra effects packs to further expand their capabilities. The march of progress blurs many a once-distinct boundary, and it's no different in recording studios. Until about a decade ago, audio recorders and mixing control surfaces traditionally had separate roles in professional studios, but the digitisation of audio has meant that the two functions have become increasingly intertwined in the form of the DAW, or digital audio workstation. Computer-based DAWs with graphical mixing facilities, and hardware mixers with built-in hard disk-based recorders, are now the norm. Indeed, even these two forms of audio production system are gradually converging, as computer-based systems incorporate sophisticated hardware controllers based on the proven ergonomics of traditional consoles, and hardware platforms adopt the computer practice of software upgrades and elaborate third-party plug-in signal-processing options. Which is exactly what this review is about: Yamaha, who are famed for their affordable and fully-featured digital mixers, have now introduced a range of optional software plug-in effects processors for their current (third) generation of digital consoles.
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The mixers, which comprise the 01V96, 02R96, DM1000 and DM2000 desks, are powered by Yamaha's own highly evolved dedicated DSP chips, and the current DSP7 version bestows on these consoles sufficient computing power to retain the full suite of facilities and channels, even when operating at 96kHz sample rates. Equally bespoke and highly optimised DSP6 processors are used to power the built-in digital effects, such as reverb, and once again there is a significant capability here, easily able to operate more sophisticated algorithms than those shipped as standard.
At the beginning of this year Yamaha released version 2 operating software for all of their recent 0- and DM-series consoles, and all of the v1 console OSs can be upgraded as a cost option. You pay your Yamaha dealer the fee (£219 in the UK) and receive in exchange a CD-ROM with the upgrade. You then need to hook up your desk to a USB-equipped computer, insert the CD, and follow the instructions. Once you've carried out the main chargeable upgrade from OS v1 to v2, all further updates can be downloaded free from Yamaha's Pro Audio web site (see ).
The exception to this process is the 01V96, for which even the basic v2 upgrade is free; it can be downloaded from the same web site at no cost. For the record, the current v2 software versions at the time of writing were v2.13 for the DM2000 and 02R96, and v2.04 for the DM1000 and 01V96. Yamaha's Studio Manager software has also been updated to v2.11, and there is an upgraded USB MIDI driver for Windows XP platforms (v2.13). Incidentally, for those desk owners who don't wish to pay to upgrade, it's worth mentioning that Yamaha have not abandoned their v1 users in the rush to develop the v2 software. Recent bug-fixes were issued for the DM1000 as v1.07 software, and as v1.23 for the DM2000 and 02R96 desks.
The latest v1 software for the 01V96 remains v1.03. All new 0- and DM-series consoles are being shipped with the current v2 software, and for most v1 users, upgrading would be a pragmatic and cost-effective decision. Aside from various minor bug-fixes, the new v2 software adds significant new features and facilities to these consoles while streamlining the operation of several existing features — in particular expanding the console's versatility and suitability for applications such as theatre and broadcast in addition to the recording and post-production mainstays. More importantly, though, the v2 software opens the door to Yamaha's new range of optional Add-on Effects packs. This review is based around a DM1000 console running the latest software in all respects, linked to a Windows XP laptop which handled the upgrades and ran Studio Manager. The Fader Layer window in Studio Manager v2.
The version 2 edition of Studio Manager boasts several new features, as well as some worthy updates to the existing functionality. For example, it can now support multiple different hardware products, with multiple control windows open at the same time. Control windows can also be opened and closed from the console via the user-defined keys. The Patch Editor window can now be resized, physical port names can be listed and edited, and patches can be set up by using the mouse to click on the appropriate crosspoints.
There is now an Effect Patch window to show the ins and outs corresponding to each effects processor. The Fader Layer window can be customised to show or hide various channel parameters (see screenshot, right), and the numeric value of fader levels can be shown. The Master fader section may be shown in a separate window, and there is now an option to view User Assignable layers and Fader Group Masters.
A set of more detailed meter options has also been added (a new Meter window shows all the meter displays at once), and you can jump to a selected channel window by double-clicking on a Channel's ID label. Other key new features include a new Automix Library window, an upgraded Surround Editor window which now supports 6.1 working, and an upgraded Effects Editor window which incorporates the bespoke interfaces for the Add-on effects packs. The final review package ports Yamaha's REVX algorithms into the 0- and DM-series consoles. There are three stereo-in, stereo-out algorithms — Hall, Room, and Plate — which occupy effects library positions 59 to 61. Each program can be comprehensively tweaked via either conventional control parameter knobs on the desk LCD or Studio Manager 's generic Effects Editor window, or via the graphical display screen within Studio Manager, (shown at the head of this review). The REVX 'Plate' setting provides a brighter and relatively straightforward reverb character, while the 'Room' and 'Hall' settings recreate spacious but detailed acoustic spaces, with well-defined early reflections which create believable environments. Within a mix, these reverbs sit very nicely indeed, adding space and perspective to individual sounds without clogging up the natural spaces between instruments in the way that so many less accomplished reverb algorithms do.
The three new Add-on effects all introduce useful and impressive features to the 0- and DM-series consoles. Clearly, given the nature of the effects and processing provided, and that the number of effects useable at any one time is limited, these plug-in effects are intended to be used mainly for final mix sweetening rather than on a track-by-track basis. The compressors and EQ all work superbly well and offer a useful range of facilities and characters, with a distinctly analogue sonic quality. The open-reel plug-in is intriguing and surprisingly flexible, and will be an instant hit with anyone wanting to add an analogue flavour to their digital productions.
Equally, the REVX algorithms provide a very useful step up in quality from the standard-issue reverb effects. Useable though these older effects are, they aren't in the same league as the best, which is why I have a Lexicon PCM90 permanently hooked up to my DM1000. It's seen much less use since I installed the REVX plug-ins! The original DM1000 was a very impressive, versatile piece of equipment, and I have never found it wanting in any way.
However, the v2 upgrade has tidied up several operational quirks and limitations, and the new Add-on effects further extend the versatility and, more importantly, the sound quality in new and creative ways. All three packages reviewed here are thoroughly recommended. Yamaha 0-/DM-series Mixer OS Upgrades & Add-on Effects pros. Easy installation.
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The upgrades add significant features to the 01V96/02R96 and DM-series desks. Realistic, 'analogue'-sounding EQ plug-in with the add-on AE011 Channel Strip package. Open Deck plug-ins from the AE021 Master Strip package are extremely versatile and controllable. Very high-quality REVX reverbs in the AE031 Reverb package. Cons.
Limited number of plug-ins can be run at once. Summary The v2 OS updates for the DM/0-series mixers make a great set of consoles even better. In addition to a host of important operational and functional updates, v2 also brings support for the Add-on Effects packs, all of which perform admirably and extend the sonic quality and versatility of the consoles considerably. All contents copyright © SOS Publications Group and/or its licensors, 1985-2018. All rights reserved. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents.
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